Gabi Campanario's Day in Sketches

Drop in on Gabriel Campanario's The Day in Sketches, which features a selection of drawings from around the world each day. One of mine is among today's, Tuesday 18 June — along with some by my favourite sketchbookers.




www.thedayinsketches.com

Sketchbook show in Victoria, Canada

Canadian urban sketcher Matthew Cencich has curated a small show of sketchbooks at a local library in Victoria, British Columbia, and included a couple of my London sketchbooks among those by six other international artists: Gabriel Campanario (Seattle), Virginia Hein (Los Angeles), Sigrid Albert (Vancouver), Luis Ruiz (Malaga), Kumi Matsukawa (Tokyo) and Matthew Cencich (Victoria).

All the books are around A5 size, so it is good to see the drawings at their actual size, rather than as variable images on our screens and tablets. And I can't help thinking that libraries, those most fantastic of places, are a great place to exhibit sketchbooks.

The books are showing at the Oak Bay Library, 1442 Monterey Avenue, Victoria, BC, until 30 June.  There's a post by Matthew about the display on the Urban Sketchers blog.

Cycling along the Northumberland coast to Scotland

From the National Cycle Network Route 1 along the Northumberland coast

As it happens, I did use quite a bit of the kit I took on my recent cycling trip, urged on by a tweet sent by Gabi Campanario: "We all need freedom from the tyranny of our most common sketching tools." I usually take a pen and a sketchbook and find that this is more than enough, but I squeezed a few more things into the panniers last week, and this had a liberating effect. Sometimes things can seem more complicated than they really are.

The view from room 2 at the Linton Hotel, East Linton, Scotland

The National Cycle Network Route 1 between Newcastle and Edinburgh is great, with sections off-road and never too far from the sea. Around the Druridge Bay Country Park, with the sun shining, it was spectacular. The only "traffic" and sense of urgency came from birdspotters — on foot — who were on their way to see a great reed warbler that had been blown off course and spotted nearby. The Northumberland coastline is fantastically unspoilt and free from major inclines. The wind turning around to blow from the north didn't help — pedalling downhill isn't what you expect to have to do — but the rain held off, and the pub lunches and the occasional pit-stop in a cafe en route helped keep us going.

The Shoreline cafe, Craster, Northumberland

There was even time before the train home from Edinburgh for a quick whiz around the David Batchelor exhibition at the Fruitmarket Gallery (until 14 July). It's titled "Flatlands", a name to gladden this cyclist's heart.

Packing it in

I'm about to leave for a few days of cycling, and although there's not too much space in the panniers, what do I need to take apart from a few bits of clothes and some things to draw with?

I make a small pile of equipment to take - except I have this sneaking feeling that I'll end up using what I usually do: a thick black pen and a sketchbook. I like how pared down and simple these two are: black on white has an enduring appeal for me. The pile I intend to take is hardly extravagant — look at it. Taking a waterbrush and watercolour set is hardly going overboard, but how much will I actually use?

@jameshobbsart

The Walkie-Talkie: new on London's skyline

London's drive for a distinctive skyline continues unabated. Following on from the Shard and the Gherkin, taking shape now are the Walkie-Talkie and the Cheesegrater. (The half-finished Helter Skelter is currently on hold, and the Scalpel is in the pipeline, as it were.)
The eyecatching feature of the Walkie-Talkie, at 20 Fenchurch Street, is that it curves outwards towards its top, so the highest floors are larger than those lower down, giving it the appearance of a giant telephone receiver popping up through the city's buildings. Designed by Rafael Viñoly, it is due to open in April 2014, and while most of us usually have to make do with the external appearances of towers in the financial district, this time there will be a "skygarden" open to the public. The plan is that it will be free, but require advanced booking. We'll see how that goes. Would it have received approval without the garden?
Finding it to draw presented the usual problem with tall buildings in a city: the closer you get, the harder it is to see. At Leadenhall Market, from where I drew this, the view opens up and the curve of the building's sides becomes apparent, as if any interest in accurate perspective has gone out of the window. Turning around, and the rising Cheesegrater was visible, looming over Leadenhall Market. (More here on this one soon.)
At 38 floors, the Walkie-Talkie is hardly the world's tallest (the Burj Khalifa has 164), or even London's (it barely makes it into its top 10), but it looks as if it will have an overpowering presence on the scrum of tall buildings north of London Bridge. The crowd is getting thicker. Old friends—and enemies—are getting lost in the midst of it.

St Paul's Cathedral

I stopped by St Paul's Cathedral on the way back from work yesterday to draw while preparations continued for the funeral of Margaret Thatcher later today. I drew this still astride the bike, helmet and cycling clips still on: this, I find, encourages a focus on the essentials.

From a train along the River Exe

The train west from London through Devon follows the west bank of the River Exe, and then along the coast for several miles, and then along the north bank of the River Teign. It's a kind of constant and yet continually changing view out of the windows on the left hand side of the train. To draw this is to try to portray an amalgam of a specific place. The boat in the middle of this (above) started as a buoy, and then morphed from dinghy to whatever it looks like now. Is it a yacht?
The drawing below, of the view towards Exmouth as the train neared Dawlish Warren, was more about the sky. I was interested in how Rolf Schröter drew clouds from a German train, as the sky is often the least changing element of the scene out of a train window. I like Rolf's work a lot.